Information:
The British tradition of piano music contains some unsuspected masterworks, and
with their first disc in this category Redcliffe Recordings have introduced today's
audiences to freshly discovered territory. Routh's major works are almost all
composed with a particular soloist in mind, whose technical virtuosity and sensitivity
ensure both fluent and committed performance of the music. Francis Routh was
born in England in 1927. Music came to him through his mother who had studied
in Weimar during the first decade of the 20th century. Routh
studied at Cambrdige after serving in WWII and performed (as pianist) and heard
much contemporary music of the time by the likes of Vaughan-Williams, Britten
and Constant Lambert. Routh himself studied with William Alwyn, among others.
Bretange and Angels of Albion are based on
the same melodic material and basic sonority, the first being structured as a
theme and variations, extrovert and colorful music, like a folk festival, with
the eight short movements alternating slow and fast; the five movements of the
second work (the title is from William Blake) depict scenes and moods of the conflict
in the course of a day, from dawn to sunset. The night brings solace, and the
concluding Berceuse consist of variations on a ground bass, with a funeral
march at its center. Elegy is Routh's only 'in memoriam' piece, whose
creative impulse was personal. A short, simple melodic pattern recurs like a refrain
against a single, repeated harmonic pattern, somewhat reminiscent of Chopin's
Berceuse. Celebration is a single-movement showpiece, in linked
sections like an early English Fantasia. Its style and character were determined
by its origin, which was a commission for a major piece for a world tour in 1984
by the American virtuoso Jeffrey Jacob. Mr. Jacob's own orchestral music is offered
on another disc through ClassiQuest. Note: This disc was previously
available from ClassiQuest, but many did not have a chance to request and receive
it. Please do so now. |