Information: This disc set includes
a bonus CD-Rom for Mac & PC so you can follow along with the score. Here
is the 5-Star review from Goldberg Magazine I first heard this performance
on an early review copy, and discussed it in my article on the Art of Fugue (Goldberg
37). Its dramatic character stems from Brookshire’s vehement rejection of the
austere image associated with this work; in his view, the music’s profound expressiveness
and stylistic variety “permit –I would even say demand– a relatively inventive,
mercurial, and dynamic performance style”. Accordingly, his performance resembles
no other harpsichord rendition in its range of colour and articulation, and in
its varied approach to tempo –ranging from near-metronomic rigidity to generous
rubati. He also goes further than most in de-synchronising supposedly simultaneous
notes, thereby clarifying textures and creating a palpable sense of dialogue between
the voices. The resulting performance will not be to all tastes; even a single
listener might find it mannered and contrived at one moment –and moving and revelatory
at the next. To my ears, for instance, Brookshire’s rubato sometimes generates
a disturbing stop-and-go effect. Yet for the most part, his performance surges
forward with a rare combination of spontaneous freedom, contrapuntal transparency
and a clear sense of purpose and direction. The bonus CD-ROM, allowing listeners
to hear the music while watching the score on screen, is a kind of teaser; Brookshire
is planning to release a more extensive package, in which this performance will
be combined with a full analysis and an interactive counterpoint tutorial. I hope
to report on its publication in due course; meanwhile, this dramatic and impassioned
performance can be strongly recommended. URI GOLOMB
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