Information: Robert
Schumann was a romantic par excellence . His life was nomadic, with longed-for
fulfilment always elusively out of reach. For Schumann life, love and creative
energy rolled themselves together in an unfolding drama, causing together with
his long struggle with syphilis – moments of euphoria amidst constant anxiety
and self-doubt. His wife and longest love Clara Wieck, though today a ‘moon in
eclipse', was during their lifetimes very much the celebrity of the pair. The
three song cycles in this recital reveal Schumann's deep sensitivity both to poetry
heightened as sung melody, and to the piano, supplying its non-verbal accompaniment.
It has always been a delicate balance for any composer: maintaining a piano part
that is never banal or formulaic, yet not overwhelming. Schumann's song-writing
supports the voice, or more importantly the poetic gesture, with the native virtuosity
of Carnaval or the Dävidsbundlertänze , but turned into the most exquisite commentary
beneath the vocal line. On their debut recording for Avie records, German baritone
Christian Hilz and mezzo-soprano Marianne Beate Kielland, accompanied by Katia
Bouscarrut, deliver exquisite performances of some of Schumann's most loved Lieder
as well as some of the rarest on record.
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